"Wedded Bliss:" An 1801 Wedding in Salem, Massachusetts

Federal architecture and Neoclassical fashion - an ideal combination. Miss Sally Peirce (1780-1835) wore this Empire-style gown, of a fine cotton voile, apparently brought back from India by her fiancé, Mr. George Nichols (1778-1865). In 1801, she wed Mr. Nichols in the room in which the dress was displayed. The parlor of her childhood home, it was updated in the latest Adamesque style by Salem's Federal architect extraordinaire, Samuel McIntire, for the wedding ceremony. This vignette is from the 2008 exhibition "Wedded Bliss" at the Peabody Essex Museum in Salem, MA. 


George wrote: "…the ceremony took place on the 22nd of November, 1801, on Sunday evening. We were married by Rev. Dr. Hopkins, in my Father Peirce's great eastern room, which was finished and furnished only a short time before." [1] 


Photography by Jim Steinhart, 2011

The Peirce-Nichols House is part of the Peabody Essex Museum's extensive holdings of noteworthy historic buildings. Most likely designed by Samuel McIntire (c. 1784), he updated the east parlor in the Adam style by 1801.

 [1] See "The Peirce-Nichols House" Historic House Booklet Number Four, by Gerald W.R. Ward, Essex Institute Publications, 1976.

For more on the architecture at the Peabody Essex Museum, see www.pem.org

For more on Samuel McIntire, see Samuel McIntire: Carving an American Style, Dean Lahikainen, Peabody Essex Museum, 2007

For more on Sally Peirce & related textiles, see Painted With Thread: The Art of American Embroidery, Paula Bradstreet Richter, Peabody Essex Museum, 2000

Silk Roads: Mapping Federal Boston at Mrs. Rowson's Young Ladies Academy

Lydia Withington, Boston Harbour, 1799
Courtesy, www.BostonHistory.org
The Bostonian Society

It was one of those chance moments when circumstances bring us unexpected delights. I had recently completed an article centered on a young woman of the early Republic, Myra Montgomery of Haverhill, New Hampshire, who had studied at Susanna Rowson’s Young Ladies Academy in Boston. (1) (For more: http://silkdamask.blogspot.com/2013/05/mrs-susanna-rowsons-school-myra.html.) Myra was in Boston to complete her silk embroidery. (As of this writing, I still hope to locate the piece that she crafted, as well as those of her two older sisters, Mary and Ann, but that is a story for another time.)

I had an opportunity to attend a very special antique show and no doubt you can imagine the thrill when, turning a corner I was facing an embroidery of Boston Harbor, c. 1800.  I immediately recognized it as a product Mrs. Rowson's Academy.  It then dawned on me that I had also seen a closely related work at the Bostonian Society: Lydia Withington’s silk map of Boston Harbor, completed in 1799 when she was 15 years. (2) The piece that now perched before me was Sally Dodge’s embroidered map, completed at the Female Academy the following year. (3) (It was sold at auction at Skinner, Inc. in August 2013 and is now available again from Boston Rare Maps.)

Courtesy, Boston Rare Maps
www.bostonraremaps.com

Both pieces are striking and feature silk thread embroidery, which is worked on silk as well. They are quite delicate, and you can see patches in both maps of shredded, split silk and losses to the support. Exposure to light has not been kind. It is not surprising that objects of this composition are quite ephemeral. The attempt at geographical accuracy was strong.

That they come from the same source is clear. They share the conventional Federal motif of a majestic eagle and the vantage point is identical, as are the spellings of towns and bodies of water (“Boston Harbour”). What may not be as evident at first glance is the distinctive shift in the subject matter selected and what were deemed “acceptable” topics for a young lady’s education in the early republic. Mrs. Rowson,  well-known as the author of Charlotte Temple had also published two books on geography—An Abridgement of Universal Geography (1805) and Youth's first Step in Geography (1811)--and clearly imparted her knowledge to her pupils. And, it appears, the parents (who were footing steep costs for tuition, extra lessons and supplies) found the shift from inward-oriented religious and family samplers to those which looked out upon a larger world were quite comfortable with this shift in ideas about a proper education for young women. It was, historically, a significant moment in post-Revolutionary America.

I do not believe that the two works have been shown together, and, so, I invite you compare, contrast and cogitate on these beautiful (but extremely fragile) maps and what they may represent regarding changing ideals of women’s education.

Contacts and Sources:

1. Kimberly S. Alexander, “Myra Montgomery’s World: Haverhill, Boston and Beyond” Historical New Hampshire, volume 67; Nos. 1& 2, Fall-Winter 2013.

2. Lydia Withington:

http://www.bostonhistory.org

3. Sally Dodge:

Link to Skinner Sale of Sally Dodge Boston Map, 1800

http://www.skinnerinc.com/auctions/2669M/lots/472

Contact Information for Boston Rare Maps

Michael L. Buehler

mlb@bostonraremaps.com

www.bostonraremaps.com