The Lady’s
Magazine project (housed at Kent University) recently embarked upon a major
undertaking – a stich-off! While there are many different aspects to this
multi-faceted project, I was intrigued by the appearance of a 1775 embroidery
pattern for shoes. Women were creating their own uppers
which were then attached to a cordwainer’s ‘leather,’ meaning his sole and
heel, as well as purchasing those professionally produced.
Once the
generous owner of the privately held pattern made it available, the creative
Dr. Jennie Batchelor threw down the gauntlet and inspired ‘stitchers” deftly
created some stunning pieces.
I have had the
good fortune to follow the work of the talented Nicole Rudolph over the last
few years (to see more of her fascinating projects, see www.DiaryofaMantuaMaker.com). When she turned her talents to the
project --- well, you can see the results for yourself. As the label notes:"These shoes have been constructed using historical tools and techniques in a
style that would have been popular around 1775 when the pattern was printed.
They are made from figured silk taffeta and satin, embroidered in unspun silk.
To place the work in context, you will find many extant museum examples – below find a few:
A later example, c. 1780-90 Courtesy, Manchester Art Gallery |
Figured silk shoe, made in Massachusetts, c. 1780s Courtesy, American Textile History Museum; Author photo |
Thanks to the efforts
of many, you can now view examples from the Lady’s Magazine stitch off on view
at Chawton House as part of the ‘Emma at
200: from English Village to Global Appeal’ exhibition.
For the latest:
@ChawtonHouse
@ladysmagproject
@colevintage
‘Emma
at 200: from English Village to Global Appeal’
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