|Secretary Desk as found|
Not every Victorian is as dowdy as they might seem. Last year, at the Warner House in Portsmouth NH, we began to plan the exhibit for the next 2-year cycle and a larger curatorial re-assessment of the interior. The main exhibit will be Celebrations: Public and Private, but the other project was to recreate a c 1760 bedchamber, based on paint analysis and recorded wall hangings in Portsmouth—a city with a penchant for damask wallpaper in the 18thcentury. There has been no physical work done to this room since roughly 1932 when the house became a museum.
Researching one aspect of a collection invariably leads to other parts of the collection. A case in point, no pun intended, was a large secretary/bookcase sitting in a Victorian bedchamber. It was a family piece that through descent was given to the museum. No matter where it was placed, it exuded a dark and foreboding presence. The glass doors reflected and absorbed light in large quantities and the base simply absorbed light. With its turned wooden handles it looked like a transitional piece from the 1830s or 40s. One of the handles was removed to see if there were any clues to surface discoloration or handle replacement. Sure enough, the exposed surface was lighter and there was a ring burn where a brass rosette once sat. All the handles were removed and the results were the same.
|With new and old brasses|
Additionally an owner’s name was found in the correct script that placed it closer to the 1810-1820 period; this placed it in the house during the appropriate period for family that once owned it. Furniture fashions change and the piece was improved at some point to reflect the sensibilities of the Victorian era. Through research new brasses were found, ordered and installed. The case was lightly cleaned to remove old wax and dirt, which then revealed some of the lightly figured wood. Oddly a finial from the 1810-1820 period, that fit no other piece of furniture and had no known history, was found in the attic and the shaft fit the hole in the central pier of the upper case. (Serendipity? Perhaps.) The interior of the doors showed that they had been lined with fabric at one time. So new green taffeta silk lining curtains where made to complete the piece. The new and old brasses return reflected light to the base and the pinnacle and act as a counterpoint to the glass doors, just as the green silk provides a complimentary color counterpoint to the reddish mahogany.
|With silk lining and brasses in natural light|
The secretary/bookcase will now sit in the downstairs parlor with several other pieces of early 19thcentury and be part of the post Lafayette dinner celebration for the 2-year exhibit.
Jeffrey Hopper is the director of the Warner House (www.warnerhouse.org)
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