Johns Hopkins University Press, 2018. Image, Strawbery Banke; Photograph, Ellen McDermott |
Shoes reveal the hopes, dreams, and
disappointments of the early Americans who wore them.
In Treasures
Afoot, Kimberly S. Alexander
introduces readers to the history of the Georgian shoe. Presenting a series of
stories that reveal how shoes were made, sold, and worn during the long
eighteenth century, Alexander traces the fortunes and misfortunes of wearers as
their footwear was altered to accommodate poor health, flagging finances, and
changing styles. She explores the lives and letters of clever apprentices,
skilled cordwainers, wealthy merchants, and elegant brides, taking readers on a
journey from bustling London streets into ship cargo holds, New England shops,
and, ultimately, to the homes of eager consumers.
We
trek to the rugged Maine frontier in the 1740s, where an aspiring lady promenades
in her London-made silk brocade pumps; sail to London in 1765 to listen in as
Benjamin Franklin and John Hose caution Parliament on the catastrophic effects
of British taxes on the shoe trade; move to Philadelphia in 1775 as John
Hancock presides over the Second Continental Congress while still finding time
to order shoes and stockings for his fiancée’s trousseau; and travel to
Portsmouth, New Hampshire, in 1789 to peer in on Sally Brewster Gerrish as she accompanies
President George Washington to a dance wearing her brocaded silk shoes.
Interweaving
biography and material culture with full-color photographs, Treasures Afoot
raises a number of fresh questions about everyday life in early America: What
did eighteenth-century British Americans value? How did
they present themselves? And how did these fashionable shoes reveal their hopes
and dreams? Examining shoes that have been preserved in local, regional, and
national collections, this book demonstrates how footwear captures an important
moment in American history while revealing a burgeoning American identity.
Historian Kimberly S. Alexander, a former curator at the MIT Museum, the Peabody Essex Museum, and Strawbery
Banke, teaches material culture and museum studies at the University of New
Hampshire.
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