Showing posts with label Massachusetts. Show all posts
Showing posts with label Massachusetts. Show all posts

Monday, October 14, 2013

A Quaker in China & Her 1845 Bonnet: "I long to show thee my very pretty bonnet"


Silk moire bonnet, c. 1840
Courtesy, FIDM

It was July 5th, 1843 and Rebecca Chase Kinsman (1810-1882) departed her home port of Salem, Massachusetts for Macao and Canton, China. Joining her on the ship Probus (with Captain John Sumner at the helm), was her husband, Nathaniel Kinsman (1798–1847), and two of their three children, Nattie and Ecca.  Nathaniel was taking up a position in Canton with the trading house of Wetmore and Company, and the couple had made the atypical decision in antebellum America to travel together to what was then an exotic and strange world.  Indeed, the diaries and letters shared between the couple offer a rare glimpse into an early American household that challenges conventional interpretations. The written record for the Kinsman family is particularly strong.  Not only have a decade of letters between husband and wife and their respective families survived, but also household receipts, diaries, and Nathaniel’s ship logs are among the rich collection housed at the Phillips Library at the Peabody Essex Museum, the Schlesinger Library, the Smith College Library and private hands. 

Rebecca frequently provided detailed descriptions of her travels throughout Macao, who she met, where she walked, how she organized her new domestic responsibilities. Seen through her Western lens, she was clearly cognizant that her time in China marked an important episode in her life.  Her letters and journal entries are significant in that we have few accounts by women travelers and expatriates to Macao during the 19th century (or any time for that matter).  
Rebecca Chase Kinsman by
Charle Osgood, c. 1842
Courtesy Peabody Esses Museum
Rebecca is a devout Quaker. However, her family back home in Salem frequently register concern over the “luxuries” she is surrounded by in Macao as compared to her modest Salem home and her dearly loved Pine Street Meeting House. That Rebecca, her niece Mary Anne and young daughter, Ecca, have access to the latest in fashion, even in China, is quite clear. For example, one of Rebecca’s letters reveal that 16 year old Mary Anne receives Heath's Book of Beauty for 1845 as a gift from William Moore. [3d mo. 20th 1845, in “The Daily Life of Mrs. Nathaniel Kinsman in Macao, China,” Essex Institute Historical Collections, LXXXVI (1950), 120.]

1840s Quaker bonnet
Courtesy, Metropolitan Museum of Art
Rebecca writes to her sister regarding the “arrival of three beautiful bonnets from Philadelphia…mine trimmed with a white riband, as neat and pretty as possible -- Some shoes for all three of us, which fit perfectly and are very nice.”

It is interesting to note that in her letters to her family, she is fairly straightforward and without flourish. However, when Rebecca writes about her new bonnet a short time later, this time to her much beloved Nathaniel, we catch a rare glimpse of her. It is almost as though she was a giddy schoolgirl, with a crush, when she says to her husband of ten years: "I long to show thee my very pretty bonnet. I am sure thee will like it -- tho' it has more trimming on it than I usually wear." [Mid-June (?) 1845, EIHC, 137]

So the question that comes to mind, given that Rebecca notes her new bonnet "has more trimming on it than I usually wear" is did her bonnet look more like the one pictured from the FIDM Museum Library or the more traditional Quaker bonnet shape from the Metropolitan Museum?

For further information on Rebecca Chase Kinsman in China, see author’s previous work:

Kimberly Alexander, “‘Demure Quakeress’: Rebecca Kinsman in China, 1843–1847.”  Dublin Seminar for New England Folklife Annual Proceedings, 2006/2007.  (Boston: Boston University, 2009): 102-113.

For information on Quaker bonnets and clothing, see:
http://www.quakerjane.com

Sunday, October 28, 2012

New York Milliner Robert Dudley & the Merrimac Hat Company


Milliner Robert Dudley (1911-1992), for Merrimac Hat Co., c. 1940-45
Courtesy of the Metropolitan Museum of Art
This fashion post started out as an intense, passing interest and has morphed into something much more - a research journey with no end in sight. (Aren't all research projects that way if you really assess them?) Inspired by the current exhibition at the Peabody Essex Museum (PEM), Stephen Jones Hats: An Anthology (brilliantly and playfully organized by the V & A, the exhibit next traveled to Bard and is now at PEM until February 13, 2013). Colleagues at PEM have kept me apprised of the layers of the exhibition and its rich public outreach: collaborations with Massachusetts-based milliners, a New Hampshire-based hatbox fabricator, the fabulous examples of historic head adornments which were taken from PEM storage and juxtaposed with objects in the permanent galleries, lecture series, gallery talks, how-tos, trunk and fashion shows. You may not think you are a "hat person" but this endeavor will have you looking at "toppers" from a new perspective.

Imagine the delight, then, a few weeks after attending opening events lead by Stephen Jones, co-author, Oriole Cullen and Lynda Hartigan, Chief Curator of PEM, when I stumbled across three modest, but delightful hats from the Merrimac Hat Company (later Corporation) of Amesbury Massachusetts.
Vintage hats from The Collector's Eye,
Stratham, New Hampshire






Amesbury is perhaps best remembered historically for the high-end carriages produced there and exciting transformation are currently underway to celebrate that important manufacturing center. Hat production is less known and yet the Merrimac Hat Company was for some time one of the largest (possibly the largest) hat factories in the United States. In business for a century, it was reported by D. Hamilton Hurd in his 1888 tome The History of Essex Country, that at that time, the factory employed 169 hands, of which 118 were men and 51 were women. The business sold product valued at $283,000 in the mid 1880s.

After taking home the hats, inspection revealed two of the three were labeled from Merrimac. The 100% wool, saffron colored "play topper" is appealing and timeless. 








The most extravagant statement of this small cache, is a bold, unlabeled reprisal of the masculine top hat, here it is softened. Constructed of black velvet, with thick, layered tangerine silk ribbons forming the design, the hat guides the eye upward. As may be see in the 1940s image from the Metropolitan Museum (top), Dudley mastered the challenge of presenting a hat which worked within a masculine archetype but with a feminine twist and appropriate scale. Although the hat pictured below may not be a Robert Dudley confection, it is certainly a hat which would be worn by one with confidence and a bit of panache, and immediately signaled a high-end, trend setting designer. 



The New York-based Dudley designed for Merrimac in the 1940s and 1950s. With several seminal hats in the collection of the Metropolitan Museum and archives, including sketches, at the Fashion Institute of Technology, he was and is, an intriguing figure.


Private Collection, blue velvet hat, c. 1950s
1960s conical "turban." Note use of "vestigial" net
Courtesy of the Metropolitan Museum of Art
According to his New York Times obituary: 

Dudley studied at the Eastman School of Music and had come to New York City intent on a career in the theater. He decided instead on a career in millinery after he used an old felt hat to create a new one for a friend. His large clientele included many theater and society figures and he designed hats for several films, including "Rebecca."During the 1940's and 1950's he operated the Chez Robert salon at Saks Fifth Avenue and his own shop, Robert Dudley Originals, on the East Side of Manhattan. Mr. Dudley then became an interior designer and was active in the field until his death.

He died in Manhattan on September 24th, 1992 at age 87. His obituary was published nearly two decades ago on November 4th.

Related on-line articles:
http://www.boston.com/yourlife/fashion/articles/2005/10/13/hats_off_to_a_bygone_era/?page=full


http://www.amesburycity.com/forgotten1.htm


Merrimac Hat Factory, Amesbury, Massachusetts
Full text of Robert Dudley's obituary
http://www.nytimes.com/1992/11/04/obituaries/robert-dudley-milliner-87.htmlRobert Dudley; Milliner, 87