Showing posts with label cordwainers. Show all posts
Showing posts with label cordwainers. Show all posts

Wednesday, August 21, 2019

Fridge List for Fall 2019

Kimberly Alexander 
Upcoming Talks for Fall 2019:

Treasures Afoot: Shoe Stories from the Georgian Era 
and
Fashioning the New England Family

September 9, 7:00pm
Wiggin Memorial Library and Stratham Historical Society, Stratham, NH
Fashioning the 18th Century New England Family


September 28, 2:00pm
Massachusetts Historical Society 
Workshop/Free but registration required
Primary Sources for Fashion & Costume History Research
With Kimberly Alexander, University of New Hampshire and Sara Georgini, MHS
Antique textiles, images of historical figures, and material culture hold a wealth of information that can enrich personal stories, explain relationships, and contextualize the world that people occupied. However, these sources can seem daunting to explore. Two experts on fashion and material culture will guide you through unraveling the stories woven into history’s fabric. This workshop is part of MHS Remember Abigail programming, and Boston Fashion Week


October 1, 6:30pm
Malden Historical Society, Malden, MA
Shoes and Their Stories[part of the Elisha Converse  2020 Exploring the Industrial History of Malden series]

October 16, 7:00pm
Pilgrim Hall Museum, Plymouth, MA
“1 gowne 6 petticoats 1 pair body’s’: Dressing in Early New England



October 25-27
The Honourable Cordwainers' Company35th Annual General Meeting with The Colonial Williamsburg Foundation, Williamsburg, VA
‘Shoes for the Southern Trade’: Northern Complicity & the Shoe Trade in the Early Republic


November 3, 1:00pm
Durham Historic Association
Buying Shoes and Purchasing Patriotism: The Politicization of Footwear, 1760s-1770s








Thursday, November 24, 2016

A New Hampshire Man Gives Thanks: Samuel Lane (1718-1806)


A New Hampshire Man Gives Thanks: Samuel Lane (1718-1806)

Deacon Samuel Lane (1718-1806) was a tanner and a cordwainer (or shoemaker); he was 75 when he wrote the following in his daybook. His house, barn and millpond survive in Stratham, NH. 

On Public Thanksgiving Day Morning November 21, 1793, Lane wrote:

As I was Musing on my Bed being awake as Usual before Day-light: recollecting the Many Mercies and good things I enjoy for which I ought to be thankfull this day; some of which I have Noted, viz.....

The life and health of myself and my family, and also of so many of my children, grandchildren and great grand children...

For my Bible, and many other good and useful books, Civil and Religious Priviledges, for the ordinances of the gospel; and for my minister.

For my land, house and barn and other buildings...for my wearing clothes to keep me warm...For my Cattle, Sheep & Swine & other Creatures, for my support.

For my corn, wheat, rye, grass, hay; wool, flax; syder, Apples, Pumpkins... For my clock & watch to measure my passing time by Day and by Night...

For my Lether, Lamp oyl & Candles, Husbandry Utensils, & other tools of every sort.



Excerpt: Brown, Jerald E. The Years of the Life of Samuel Lane, 1718-1806: A New Hampshire Man and His World. Hanover, NH: University Press of New England, 2000. Donna-Belle Garvin, Editor. For purchase, see: https://www.nhhistory.org/Store/Books/Biography/The-Years-of-the-Life-of-Samuel-Lane,-1718-1806-A

Courtesy, New Hampshire Historical Society


For additional images of almanack pages, Lane's tools, family furniture and additional sources, follow link below:http://www.nhhistory.org/eimages/October2009/lanejournal.html 

Friday, June 26, 2015

What Shoes Did Mistress Firebrand Wear?

I was asked by author Donna Thorland (www.DonnaThorland.com) to join her in an intriguing project: to consider what style of shoes her fictional heroine, Mistress Firebrand, would have worn as a popular actress on the New York stage in 1777. With Lauren, doyen of vintage shoes at American Duchess (www.AmericanDuchess.com)  we looked at a sampling below with a shoe giveaway in mind! (See details here:  http://www.donnathorland.com/shoe-giveaway/)

Given the character and the profile Donna shared, we agreed that we had some latitude for dazzle, sparkle and shine. The London and New York connections made it possible to consider a wide scope of footwear styles and materials. Some of the leading cordwainers (in terms of elite audience, skill, and high-end production values) who were in Georgian London and participated in active trade with New York and New England, would have been John Hose & Son; Thomas Ridout & James Davis, and William Chamberlain & Son. Bright yellow silk brocades and damasks, with metallic lace and silver threads, red leather Moroccan pumps or scarlet silk satins shoes, seemed appropriate candidates.  Visual clues, such as the expense of the accessories and textiles, would have been instantly understood by the audience.

The contenders were from several museum collections. And the winner is…..


1) British (probably London made) silk brocade shoes, 1760s (?)
Yellow, with bright red creating an exotic “Chinoissere” effect. Not only would the silk have a shimmer, check out that wide band of costly metallic lace which runs from toe to vamp to throat. The thick expanse of lace (or braid) just shouted luxury.  These shoes would have been noticed anywhere! They are in the Metropolitan Museum collection; but this is the only view given – would love to see the heel.

A view of Lauren's interpretation of the original (photo courtesy of @AmericanDuchess)

 The runner ups were certainly keepers as well:


 2) London-made silk brocade shoes, ca. 1760, are said to have been owned by Mercy Otis Warren. They are in the collection of the Plymouth Antiquarian Society.




3.) Fabulous Rococo shoes by London cordwainer’s Ridout & Davis, who carried on their trade near Aldgate. These are in the collection of the Peabody Essex Museum. Mid 18th century, silk brocade.


4.) Another pair by Ridout and Davis, these are in the collection of Colonial Williamsburg but hail from Maine. They are in fabulous condition. Mid 18th century, silk brocade.



5) One of my personal favorites as we start to transition into the Neoclassical style – scarlet silk satin high white leather Louis heel shoes. Made by Chamberlain & Son, London c. 1775-1785. Via www.eng.shoe-icons.com


6.) This shoe is sizzles! Super high heel, red Moroccan leather. Kyoto Costume Institute. Not only would the high quality of the supple leather have conformed to the wearer's foot, the elegance of the higher-than-usual, slender Louis heel, would achieve the profile many women seek - then and now. Most likely French, c. 1770s-1780s.

About Mistress Firebrand:

British Occupied Manhattan, 1777.  American actress Jenny Leighton has been packing the John Street Theater with her witty comedies, but she longs to escape the provincial circuit for the glamour of the London stage. When the playwright General John Burgoyne visits the city, fresh from a recent success in the capitol, she seizes the opportunity to court his patronage.  But her plan is foiled by British intelligence officer Severin Devere….www.DonnaThorland.com







Friday, April 24, 2015

Eliza Lucas Pinckney's Very Special London Shoes, 1760s-1770s

A diminutive pair of pale blue silk shoes adorned with a profusion of costly metallic braid or lace clad the feet of Eliza Pinckney (1722-1793) sometime in the 1760s or 1770s. (They are 6.75 inches in length with a heel a smidge over 2 inches in height.) It is certainly fair to note that these light blue silk satin shoes are distinctive. The fact that we have the name of the wearer of these elegant pumps, Eliza Lucas Pinckney, places them into the category of rare and significant clothing survivals.
Made in London, they bear the label of the Cordwainer Thomas Hose, whose shop was located in the heart of the Cordwainer's Ward on Lombard Street. A well-articled geometrical pattern was created by the careful placement of metallic braid. (This is especially striking in the outline of the heel and culminates in a stylized floral motif at the vamp.) The design is intriguing – for example, the slender Louis heel is made to appear even more slender by the placement of the braid.


In an unusual treatment, and offering further evidence that the shoes were a costly item, much of the interior was lined with two separate striped silks of a salmon pink and white, and an olive and tan. Silk also lines the underside of the tongue, though this detail is found more frequently in high-end shoes of the time. It often goes unnoticed due to damage of this delicate area. The treatment of the inside of Eliza's shoes offer an instant visual 'pop' and in this case, the like of which I have yet to see so fully treated. It is of interest because she (and perhaps one or two intimates, such as her husband) would be the only one to notice this inside detailing.

Eliza was married to Charles Pinckney, lawyer, judge and member of the House of Commons. Eliza is best known for her perseverance and success with her father’s indigo crop, ultimately making it a prosperous crop in the Lowcountry (South Carolina) until the war.

Of particular interest is the use and placement of the metallic braid, which was a treatment seen several decades earlier but the heel shape places the shoe in the 1760s-1770s range. The cordwainer Thomas Hose moved the family business from Rose Street, Cheapside, to Lombard Street at the “sign of the boot” in 1769-70.[1] These are almost certainly bespoke shoes, designed for specially for Eliza. One suspects that perhaps the pale blue silk was a nod to her indigo crop – although that is merely speculation at this point. It is interesting to note that Eliza spent five years in England from 1753-1758 for the education of her children, while her husband served as a colonial agent. Could they date from that time – when she was in her 30s and enjoying the London social life and high profile entertaining? [2]
I ended a nearly five year pilgrimage to view these shoes in person on April 21, 2015. My appreciation to Jan Hiester, the Charleston Museum Curator of Textiles, for her generous assistance. Continued thanks to Colin Hose and Linda Pardoe for so generously sharing information on the Hose family.

All illustrations are courtesy of the Charleston Museum.

Notes

An abundance of material regarding Eliza Lucas Pinckney is available online and in print, including readily available copies of The Letterbook of Eliza Lucas Pinckney, 1739-1762. Ed. Elise Pinckney
  
1 Thomas Hose (b. abt. 1734 – d. December 12, 1787), apprenticed to his father, John. In 1769, he inherited the business in his father’s will. He was in his mid-30s. Shortly thereafter, he moves the business to Lombard Street. By c. 1770-1787, trade directories show that Thomas senior was in business with his son Thomas junior at 33 Lombard Street, “The Sign of the Boot.” For more, see my Portsmouth Athenaeum Journal article here: https://www.academia.edu/9408670/_Goods_to_America_The_Hose_Family_Exports_Shoes_From_London_c._1730-1797